The Beating Heart - Professor Robin Choudhury, University of Oxford
May
2
5:30 PM17:30

The Beating Heart - Professor Robin Choudhury, University of Oxford

Quite often, I am asked why I chose to be a cardiologist. At one level, the answer is easy. Aged fourteen, I was drawn to the heart through the simple conviction that it is the ‘the most important bit’. Decades later, I have been a doctor for over 30 years, am a practising cardiologist and professor of cardiovascular medicine at the University of Oxford, where my laboratory works to understand the cellular and molecular mechanisms of heart injury and repair.  Over the years, I have come to realise that I am far from alone in my sense of the pre-eminence of the heart.  It is a notion that has persisted for millennia.  The Beating Heart is a cultural detective trail to try to understand how and why we have come to see the heart as we do. It is a story of the heart, and in some sense a cultural history told through depiction of the heart.  The story uncovers beautiful heart images that illuminate the age-old dance between art, religion, philosophy and ‘scientific’ thinking. Across time, we meet saints, artists, lovers, scholars and eventually scientists who unwittingly influence each other, in approaching and building an understanding of the beating heart.   The talk will be an exploration of this story told through images.  Think 'Botticelli to Banksy'.

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Concert 1 - "Vive l'Empereur!"
May
2
8:00 PM20:00

Concert 1 - "Vive l'Empereur!"

R. Glière: Octet in G Major, Op. 5

F. Schubert: “Die Befreier Europa's in Paris”, D104
“Einsamkeit (from “Winterreise”), D. 911
“Die Liebe hat gelogen”, D. 751
“Nacht und Traüme”, D. 827
“Die Allmacht”, D. 852

Interval

A. Schoenberg: “Ode to Napoleon Buonaparte”, Op. 41

J. Brahms: Three Intermezzi, Op. 117

J. Crabb: Scottish Traditional Folk Music

A. Aldren - tenor
J. Liebeck - violin
A. Raikhlina - violin
T. Berman - violin
J. Schad - violin
B. Roskams - viola
L. Anderson - viola
D. Djordjevic - cello
A. Brendel - cello
S. Watton - double bass
K. Chong - piano
D. Driver - piano
J. Crabb - accordion

We begin the Festival with a partially themed concert highlighting Napoleon. Following a beautiful Octet for Strings by Gliere, Alex Aldren sings Schubert’s celebration of the overthrow of Napoleon and entry into Paris by the Russian, Prussian and Austrian armies. There follow other songs, selected to imagine Napoleon in exile on the island of Elba, moving through loneliness, the loss of his wife, acceptance and then defiance, as he plans his escape and return to power. After the interval Schoenberg’s remarkable “Ode” will cleanse your musical palate before we end with the return of one of Schoenberg’s idols, Brahms, and a rousing send off with some Scottish jigs, Strathspeys and reels from our returning accordionist in residence, James Crabb.

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Concert 2 - A Baroque Afternoon
May
3
2:00 PM14:00

Concert 2 - A Baroque Afternoon

G.F. Handel: Sonata in D major for violin and basso continuo HWV 371

A. Vivaldi: Triple Concerto for violin, cello, organ (accordion) and strings in C major RV 554

J.S. Bach: Double Keyboard Concerto in C minor BWV 1060. arranged for accordion, piano and string quintet

G.F. Handel: Concerto Grosso in A Major Op. 6 No. 11, HWV 329

J. Liebeck - violin
A. Raikhlina - violin
B. Roskams - viola
L. Anderson - viola
A. Brendel - cello
D. Djordjevic - cello
S. Watton - double bass
K. Chong - piano
J. Crabb - accordion



Our first afternoon concert is a treasure-trove of baroque music in chamber-music arrangements from three of its greatest masters. It features our resident accordionist, James Crabb in concertos and joining our Musical Director, Jack Liebeck, in one of Handel’s famous Op. 1 group of violin sonatas.

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Codes, Computers & Quantum Physics - Professor David Lucas, University of Oxford
May
3
5:30 PM17:30

Codes, Computers & Quantum Physics - Professor David Lucas, University of Oxford

Quantum mechanics describes how matter behaves at the atomic scale and below, and is one of the most successful theories of physics that we have. One of the most surprising discoveries of the late twentieth century was that it could also give us access to a completely new (and very powerful) way of processing information: the idea of the quantum computer was born. In this talk I will introduce the basic ideas of quantum computing, its links to code-breaking and code-making, survey the current state of the art, and describe recent work at Oxford on building and using an elementary quantum network.

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Concert 3 - From the Centre of Europe
May
3
8:00 PM20:00

Concert 3 - From the Centre of Europe

G. Kurtag: Selected String Trio and Solo Cello Miniatures

Virág az ember
A Flower for Dénes Zsigmondy
Hommage à J. S. Bach
Perpetuum mobile
Homage a John Cage and In Folk Style

G. Ligeti: Selected pieces for four hands at piano

Three Wedding Dances
Sonatina
Polyfönetüd

F. Schubert: Fantasie in F minor for four hands at piano, D. 940

Interval

J. Brahms: Piano Trio No. 3 in C Minor, Op. 101

J.S. Bach: Concerto for Two Violins in D Minor, BWV 1043

J. Liebeck - violin
A. Raikhlina - violin
B. Roskams - viola
L. Anderson - viola
D. Djordjevic - cello
A. Brendel - cello
S. Watton - double bass
K. Chong - piano
D. Driver - piano
J. Crabb - accordion
The Festival Players

Kurtag and Ligeti make an acerbic introduction to Schubert’s haunting Fantasie. Its mood changes, from melancholy to grandiose and back again, are as quicksilver as the composition is inspired. The second half is much sunnier, with Brahms’ final string trio and the well-known Bach “Double” Concerto.

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Concert 4 - Contrasts
May
4
2:00 PM14:00

Concert 4 - Contrasts

L. van Beethoven: Piano Quartet in E-flat Major, Op. 16

B. Bartok: “Contrasts”

F. Poulenc: Sonata for Clarinet and Piano (arr. Accordion)

J. Liebeck - violin
A. Raikhlina - violin
B. Roskams - viola
D. Djordjevic - cello
A. Brendel - cello
K. Chong - piano
D. Driver - piano
J. Crabb - accordion
J. Bliss - clarinet

Beethoven’s Op. 16 was originally inspired by Mozart’s Piano and Wind Quintet, K442 and appears in a version with the same forces and indeed key. Simultaneously however Beethoven produced the version we hear this afternoon, modified for piano and strings. This contrast in wind compared to strings is exploited to the full by Bartok in his piece, hence its title. Benny Goodman commissioned the Bartok work; the Poulenc sonata was also commissioned by him. He intended to perform the premier with the composer but Poulenc died just before the performance.

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The Movement and Musicality of Mental Time Travel - Professor Nicola Clayton FRS and Mark Baldwin OBE
May
4
5:30 PM17:30

The Movement and Musicality of Mental Time Travel - Professor Nicola Clayton FRS and Mark Baldwin OBE

Mental time travel refers to the subjective experience of recalling the past and imagining the future. It is about projecting the self in time, reflecting on where we have been and where we are going in space and time. Memories are not fixed repositories of the past but move in flexible ways because they evolved with the future in mind. We will explore these concepts scientifically and artistically through our joint interest in choreography, the ways in which we explore the movement and musicality of wordless thoughts in humans and in other animals with whom we share the planet and its implications for creativity.

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Concert 5 - Concerto!
May
4
8:00 PM20:00

Concert 5 - Concerto!

A. Dvorak: Piano Quintet in A Major, Op. 81

Interval

P. Vasks: “Lonely Angel”

E. Elgar: Concerto for Cello and Orchestra in E minor, Op. 85 (chamber music arrangement)

J. Liebeck - violin
A. Raikhlina - violin
B. Roskams - viola
L. Anderson - viola
D. Djordjevic - cello
A. Brendel - cello
K. Jenkinson - cello
S. Watton - double bass
K. Chong - piano

The Piano Quintet is one of Dvorak’s most monumental and engaging works. The Peteris Vasks “Lonely Angel” is a breath-takingly lovely meditation for violin and strings. The Elgar Concerto, his last major work, needs no introduction - although you have almost certainly never heard it in this arrangement!

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Concert 6: Homage
May
5
2:00 PM14:00

Concert 6: Homage

E. Ysaye: Poème élégiaque, Op. 12

P. Dean: Homage to Bartok (UK Premier)

F. Mendelssohn: Songs without Words op.19 No. 1 (arranged von Hermann)

F. Mendelssohn: Sonata No. 3 for Violin and Piano in F Major

J. Liebeck - violin
K. Chong - piano

Our Musical Director takes centre stage with a violin and piano recital featuring a UK premier, another great violinist’s impassioned masterpiece and two Mendelssohn pieces, the sonata being only published after his tragic early death.

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The Music of Exoplanets - Rob Laidlow, Brian Foster, FRS, Freya Goldmark, Raymond Pierrehumbert FRS
May
5
4:00 PM16:00

The Music of Exoplanets - Rob Laidlow, Brian Foster, FRS, Freya Goldmark, Raymond Pierrehumbert FRS

Humans have been fascinated by the relationship between astronomy, mathematics, and music for thousands of years – a relationship that is more intriguing than ever today with the advent of new tools, such as the James Webb Space Telescope, that allow us to see distant and ancient exoplanets. This lecture-recital brings together physicists Brian Foster and Raymond Pierrehumbert, composer Robert Laidlow and violinist Freya Goldmark to explore how the latest research in astrophysics can give rise to brand new ways of making music.

Freya Goldmark credit Ting-Ru-Lai

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Concert 7 - Festival Finale
May
5
6:00 PM18:00

Concert 7 - Festival Finale

J.P. Jofre: Tangodromo String Quartet and Bandoneon No. 1

R. Strauss: Four Last Songs, Op. Posth, (arr. James Crabb)

Interval

M. Bonis: “Ave Maria”

George Crumb: Three Early Songs

F. Mendelssohn: 6 Gesange - Auf Flügeln des Gesanges - Op. 34 No. 2

R. Hahn: 12 Rondels - No.9, “Les etoiles”

W.A. Mozart: Clarinet Concerto in A Major, K602 (arr. Marnix van den Berg)

C. Sampson - soprano
J. Bliss - clarinet
J. Crabb - accordion
J. Liebeck - violin
A. Raikhlina - violin
B. Roskams - viola
L. Anderson - viola
A. Brendel - cello
D. Djordjevic - cello
S. Watton - double bass
K. Chong - piano

We end the Festival with a heady mix of Modern & Classical, Lieder and String Quartet, Clarinet and Bandoneon, Early Songs and Last Songs. Few things in music are more sublime and moving than the Strauss and Mozart pieces - a fitting finale!

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